
Jesse Alexander
Found images exploring place, ‘nature’, and the curation of digital identities.
Found images exploring place, ‘nature’, and the curation of digital identities.
A cyanotype project enfolding found images with a contemporary abstract approach.
Exploring sense of place and identity through the landscape that embodies a spiritual nature.
Exploring tension between illness and the surreal, personal, poetic, abstract.
Homelessness in HongKong creating street-sleepers, McRefugees; and drug addicts as street.
Can You See The Real Me?: Documenting the alter egos of the Cosplay community.
An exploration of migration utilising natural objects and themes, whilst combating image fatigue.
Investigating ‘Hiraeth’ (untranslatable) - a longing for a place, person or time.
An investigation into life in a small town in rural England during 2018.
A study of the dominance, echo and discordance of structure within a scene.
A photographic illustration of a number of distinctive Croydon shops and their proprietor(s).
Exploring whether death is really the end or simply a transformation using macro photography.
“[ɪˈmaː.ɡoː]” is a short documentary introducing the two-year project “I can hear you now”.
Following a three-year-old's engagement in space, place, time and picture making.
The aim of this project is to explore visual emotion through addiction to technology.
Visually describing the diaries of an anorexic, Jo-Ana provides one girl’s account of recovery.
Experimental constructs that question current socio-economic practices.
Beach debris presented in forms that invite exploration and self reflection.
Reclaiming fairy tales: a modern take on Little Red Riding Hood.
I illustrate creature / human connections including how human actions shape the environment for creatures.
A personal journey to photograph and reflect on my experience of The Road to Elgol.
An investigation into the relationship between photography and memory, explored through personal family narrative.
“The Chronic G-Had” is pensive, melancholically stimulating pathos for an invisible and marginalised people.
Nature in comparison to human influences to show how meaningful or insignificant humanity is towards nature.
The work is minimalist and embraces nature’s economic shape optimisation.
Shifting Sands: The Changing Face of Coul Links and its Inhabitants.
“Insula” addresses the social and cultural diversity within the uniqueness of Channel Islands life.
ECOSYSTEMS is a project depicting the nature's complexity, diversity and contribution to humanity.
Exploring travel, tourism, time, place and identity and experimenting with multi layered images.
Exploring emotional and personal ties with place through encounters with light and shadows.
'Beyond the Postcard - showing the fate of beautiful abandoned buildings across the Balkans.
Self-portraiture exploring the ways in which social media affects how we present ourselves online.
A portrait reborn inspired by the masters. Merge historical and present with what consequence?
Nephrectomy: a mindful approach to my recovery.
Exploring and reconstructing a family album using narrative imagery within appropriated photographs as stimuli.
Negative traces of the Khmer Rouge Genocide, ever-present reminders of personal tragedies.
Pseudowhorl meditates on the nature of separation and coming together through a botanical observation.
A collaborative work exploring the life and work of piano composer, John Field.